Flo Rida Got Berlin Going Low

When Flo Rida has a tour stop in a city that is known as the Party Capital of Europe, you can pretty much guess what’s coming: not a show, but a full-on celebration and party. And that’s exactly what Berlin got last Friday night at Max-Schmeling-Halle.

Even before the man himself appeared, the vibe was locked in. The pre-show playlist, think Rihanna’s S&M melting into Pitbull and Ne-Yo’s Give Me Everything, had the crowd dancing like it was 2 a.m. at a club in Miami. By the time Flo Rida and his four dancers stormed the stage with In the Ayer, it was obvious: this wasn’t going to be your average concert. Within seconds, champagne bottles were popped, sprayed, and shared with the front row. Berlin was instantly sticky, hyped, and very much alive.

Flo Rida didn’t waste a minute proving he’s an experienced crowd conductor. With Where Them Girls At, he showered the audience not just with hooks but also with roses. When Shots by Lil Jon & LMFAO kicked in, he meant it literally; drinks were passed out, and the vibe hit that point between wild and glorious chaos.

His team moved through the crowd, asking women if they wanted to come on stage. No pressure and expectations were exerted by the management. They were just looking for that party energy. Soon, a wave of women joined him under the lights on stage, some in their apple-bottom jeans that might’ve been a deliberate nod to Low. When that unmistakable beat dropped, the entire hall - stage and floor alike - went low, low, low, low. Selfies were snapped, hips swayed, and while there were plenty of flirtatious moments, Flo Rida kept it respectful, playful, and professional throughout.

In between tracks, he took a moment to shout out “my brother Pitbull,” leading into Move Shake Drop, which sent a warm wave of mid-2010s nostalgia over the crowd. Club Can’t Handle Me and Cake followed, sealing Flo Rida’s reputation as a one-man party machine.

Halfway through, he introduced each of his four dancers one by one. Giving them their own spotlight as the crowd roared approval. Then came the boys’ turn. “Only the gentlemen on stage, please,” Flo Rida called out, as a handful of guys were ushered up for an impromptu dance battle to GDFR. One of them, full of confidence and flow, ended up rapping along bar-for-bar and even earned a brief honor: Flo Rida’s own leather vest and sunglasses. It was a small moment, but one that perfectly embodied the night’s energy: chaotic, inclusive, and ridiculously fun.

“Berlin, this is not a show. This is a party,” Flo Rida declared mid-set, and no one disagreed. When Wild Ones started, he looked around playfully and said, “Sia couldn’t be here with us tonight, so… any superstars in the crowd?” Within seconds, a few young women were on stage, belting out Sia’s part with full confidence. And honestly? The crowd ate it up.

Then came the kind of move only Flo Rida could pull off. During My House, he climbed onto the shoulders of his security guard and made his way through the golden circle, rapping while high-fiving fans and waving to the nosebleeds. The whole venue became, quite literally, his house. By Good Feeling and Right Round, it was clear no one was going home bored and unmoved.

He closed the night with I Don’t Like It, I Love It, leaving behind a sweaty, euphoric crowd that still sang the chorus as the lights turned on. And just when the stagehands started breaking down equipment, Flo Rida reappeared at the barricade. Grinning, hugging fans, taking selfies, and proving one final time that for him, the party really doesn’t stop when the music does.

From the first beat to the last goodbye waves, Flo Rida didn’t just bring the hits; he brought a masterclass in how to turn a concert hall into a night no one wants to end.

CHECK OUT MORE PICTURES OF THE SHOW HERE