Berlin Enchanted: Rosalía Brings "Lux" Tour Alongside Orchestra to Uber Arena
“Zero tickets left,” the worker at the box office responded when the first people arrived, hoping to secure a last-minute ticket to Rosalía’s "LUX" tour on May 1, 2026 in Berlin on Labour Day, a day usually associated with partying, celebrating and dancing. And although Rosalía chose one of the busiest days of the year to grace the city, it did not stop her fans from attending the sold-out show at Uber Arena in Friedrichshain and turning it into the place to be on Labour Day.
LUX marks the fourth album by the Spanish singer, released in November 2025, and her first Top 10 album on the Billboard 200. Previously, she made a name for herself with projects such as El Mal Querer and the GRAMMY-winning record MOTOMAMI.
The "LUX" tour felt like much more than just a concert. It was a small vacation, an experience from start to finish. Everything felt slightly atypical for a pop star on Rosalía’s scale. From her merchandise, including hoodies with white veils inspired by her album cover and echoed in many fan outfits, to the pre-show playlist consisting entirely of classical music, to the set design itself. Instead of a band, Rosalía brought a whole orchestra with her, led by a female conductor positioned in the middle of the dance floor, who during “CUUUUuuuuuute” briefly became the star of the show herself.
Above the main stage, a display translated her heartfelt lyrics into German, ensuring that everyone could follow along. There was one song where this was not necessary, a moment that clearly stood out as the crowd favorite: “Berghain”. Positioned after an interlude right in the middle of the show, it felt monumental, almost like a finale. When the lights came back on, it seemed as if the entire arena was vibrating, even more so when a remix of “Berghain” suddenly kicked in.
A highlight in general, and even more special considering the world-famous techno club of the same name is located within walking distance. It was undoubtedly the first destination for fans eager to continue the night at an after-show party. Another standout moment was “BIZCOCHITO”, where she once again sent the crowd into a frenzy, as well as “La Perla”, where she and her dancers created a stunning visual illusion.
Everything felt carefully thought out, yet still left room for spontaneity and genuine fan interaction. Throughout the show, the stage design kept transforming, almost like scenes unfolding in a theater production. During a cover of Franki Valli's “Can’t Take My Eyes off You”, she transported the audience into a museum setting, turning herself into a living artwork à la Mona Lisa, framed in gold and cordoned off, while fans onstage examined and admired her, just like artwork in a museum.
At another point, the stage became a confessional booth, with the singer naturally stepping into the role of the priest. In Berlin, none other than singer and actress Najwa Nimri, known from the Netflix series Money Heist, joined Rosalía and the audience to share a personal dating horror story. Beyond the striking visual diversity, Rosalía also delivered a vocal performance of the highest caliber.
For the Spanish singer, a dream came true that night. During an emotional speech, she reminisced about her first trip to the city to see Kendrick Lamar, recalling how stunned she had been and how determined she felt to one day stand on that very stage. Every emotion was visible as she appeared on the big screens throughout the show, ensuring that everyone had a clear view of her. Sending the crowd home with “Magnolias” as an encore felt like a lullaby, a peaceful ending to an eventful and exciting night where she proved that she definitely is a pop princess on the rise.
CHECK OUT ROSALÍA'S NEWEST ALBUM "LUX" HERE:
REVIEW BY
Andy
(Live) music is one of my biggest passions, which is why I enjoy exploring pop culture in my writings. From analyzing albums to reviewing concerts. I'm especially interested in fandom culture, which often comes through in my work.
